‘Who Will Provide’ Exhibition at The Crypt Gallery
31/10 – 4/11 2018
Our group of thirty three MFA students explored and responded to themes relating to charity and its place in today’s world. The exhibition presented a collection of site specific works, ranging from painting to sculpture, assemblage to video through to performance and photography.
Before the summer break preparations started by putting together various teams to properly organise and execute the event. The members of the research team responded to the site by looking into its history, connecting it to its past and designed the theme ’Who Will Provide?’ around the wish list, a document from 1995 which outlined the desired purpose for the building. This included shelter and provision for the homeless, serving the nearby student population and a focal point for community activities.
I volunteered to join the Installation Team. Over the summer I visited the crypt twice with the view to inform myself about the site (wall space, wall and ceiling heights, location of electrical outlets etc.) and to explore a potential location for my own work.
Two weeks prior to the event the curating team got in touch and supplied our team with a list of required tools and materials. We also received technical information on some more complicated works and installing requirements from The Crypt Gallery itself (No drilling of new holes!). There was very good collaboration between curating and installation team and minor installation problems were efficiently dealt with.
SKILLS: HANDLING ARTWORK, COLLABORATION, PROBLEM SOLVING, ATTENTION TO DETAIL,
SITE SPECIFIC WORKING
‘Never before have we had such an awareness of what we are doing to our planet, and never before have we had the power to do something about it…Surely we have a responsibility to care for our planet. The future of humanity, and indeed all life on Earth, now depends on us.’
Sir David Attenborough
My works reflect my sensitivity towards environmental issues and animal exploitation, inviting critical response on human’s interaction with nature.
Experimenting with biomaterials, living organisms, clay, wood and mixed media, I create sculptures and installations that combine latest scientific findings within imaginary settings. The artworks focus on the interconnectedness of all matter, discoveries of communication and interaction within the natural world, above and below ground.
In response to pressing concerns of our time, my investigations and experimentations centre on the quest for sustainable, innovative materials and products.
Intrigued by latest scientific findings of the powers of fungi and mythical symbolism, my works reflect its astounding properties as a sustainable food resource, a decomposer, possible recycler and a solution to building material that repairs and works with, rather than against, nature’s rhythm.
By appropriating these materials and adding fabricated objects, my works seek to highlight the constructive side of mushrooms, address environmental issues and communicate the wonder of this organism.
Artists have traditionally engaged with, reflected upon and were inspired by important events and discoveries in our history, acting as observers and upholder of the collective consciousness.
Through my practice I seek to further people’s awareness to issues concerning our planet.
By attempting to make to the audience a participant of the work, I wish to awaken and remind them of nature’s incredible intelligence and efficiency.