‘Who Will Provide’ Exhibition at The Crypt Gallery
31/10 – 4/11 2018
Our group of thirty three MFA students explored and responded to themes relating to charity and its place in today’s world. The exhibition presented a collection of site specific works, ranging from painting to sculpture, assemblage to video through to performance and photography.
Before the summer break preparations started by putting together various teams to properly organise and execute the event. The members of the research team responded to the site by looking into its history, connecting it to its past and designed the theme ’Who Will Provide?’ around the wish list, a document from 1995 which outlined the desired purpose for the building. This included shelter and provision for the homeless, serving the nearby student population and a focal point for community activities.
I volunteered to join the Installation Team. Over the summer I visited the crypt twice with the view to inform myself about the site (wall space, wall and ceiling heights, location of electrical outlets etc.) and to explore a potential location for my own work.
Two weeks prior to the event the curating team got in touch and supplied our team with a list of required tools and materials. We also received technical information on some more complicated works and installing requirements from The Crypt Gallery itself (No drilling of new holes!). There was very good collaboration between curating and installation team and minor installation problems were efficiently dealt with.
SKILLS: HANDLING ARTWORK, COLLABORATION, PROBLEM SOLVING, ATTENTION TO DETAIL,
SITE SPECIFIC WORKING
‘The Mushroom at the End of the World’ by Anna Lowenhaupt Tsing
On the Possibility of Life in Capitalist Ruins
In this book, Anna Lowenhaupt Tsing, professor of anthropology at the University of California, Santa Cruz, and a Niels Bohr Professor at Aarhus University in Denmark, investigates one of the world’s most sought after and expensive fungi, the matsutake mushroom, and uses it as ‘an examination into the relation between capitalist destruction and collaborative survival within multispecies landscapes, the prerequisite for continuing life on earth’.
The book, which at times reads like a novel and is organized in at first seemingly unconnected chapters, follows the path of the matsutake mushroom (it cannot be grown in captivity), and grows in forests across the northern hemisphere that have been overexploited for industrial and commercial reasons. With its ability to nurture trees it helps forests to grow in these disturbed places.
Tsing describes in colourful form the strange world of this fungi’s commercial journey: refugee foragers from Cambodia and Laos, American veterans, pickers who work for themselves and sell the mushroom they find. The mushrooms are bought up by wholesalers, then shipped to sorters, classified and then exported mostly to Japan where it is considered a delicacy and demand very high prices.
With this book Tsing gives us insights into contemporary capitalism, presenting it as ‘disturbance- based ecologies in which many species sometimes live together without either harmony or conquest’, but rejecting comprehensive critique of capitalism.
Tsing uses the mushroom as a metaphor for showing how this species comes up with strategies of survival for itself by forming a symbiosis with trees and other plants. She compares this mushroom’s life strategy to the life of millions of people around the world who have to live now in exploitive capitalist systems and face the effects of climate change, managing ‘life in capitalist ruins’.
Tsing’s book offers no neat conclusions but is a series of observations, analysis and evocative descriptions and the reader finds that the chapters in the end satisfyingly connect like a mycelium network. Hers is the urgent message to go beyond the divide of ‘Man’ and ‘Nature’ as opposites, necessary to change the way we think about and relate to our world.
